Katy Perry At The Oscars

No, you didn’t see her on the actual telecast – unless you were at our house….

katy_yesterdayAs we do every year, Ann and I had a few friends over to our house to watch the Oscars telecast this past Sunday night. Oddly, the highlight of the evening was not actually part of the show that we sat through for more than 4 hours (including the whole ridiculous “who are you wearing” red-carpet pre-show….).

No, rather, the highlight came via YouTube AppleTV and Airplay, the feature that lets you watch whatever is on your iPhone on your big TeeVee.

About two-thirds through the Oscar marathon, we were all scratching our heads after Pink’s performance of “Over the Rainbow.” Excuse me but, ummm, “somewhere” is one word. Why the big breath between “some” and “where”? Yes, the woman has got some impressive pipes, and I’m familiar with the concept of Creative Phrasing, but this wasn’t that.

After Pink was done chopping up the word some…where, some… body in the room asked if any of us had seen Katy Perry’s performance of “Yesterday” during the 50th-Anniversary of The Beatles on Ed Sullivan tribute show that aired last month.

Why, yes, we had, and it was gratifying to learn that Ann and I were not the only ones who were genuinely impressed with that one performance. With a bit of further discussion, a consensus quickly formed among us that that particular performance was the surprise highlight of a show that was pretty much filled with highlights – they were, after all, all Beatles songs…

Fortuitously, we’d reached a bit of an impasse in the evening’s programming. We were watching the Oscarcast via our TiVo; Having started the playback about 30 minutes late, we could skip through all the commercials. But just about the time Pink was done grinding Judy Garland’s rainbow into breathy little bits, the TiVo recording caught up to real time. There was no buffer left for commercial skipping.

So, for the benefit of the few people in the room who hadn’t seen the Beatles thing, I pulled out my iPhone, went to YouTube, searched for “katy perry yesterday” and found a recording of her performance from that night; Then I flipped the signal from the iPhone to the AppleTV to the flat panel HDTV via Airplay (Lefsetz just discovered this feature recently; we’ve been using it for a couple of years).

And so it came to pass that a living room full of boomers watched and listened to a contemporary cheesecake pop star deliver a song that we’ve been hearing since it was new – with a measure of heart and soul that we probably haven’t heard in that song… well, since it was new. And mind you, “Yesterday” may be the most covered, and most broadcast, song of all time. I think that song along has made Paul McCartney a billionaire. So we’ve all heard it at least a million times.

But this delivery of this old chestnut was remarkable and noteworthy, even for a living room full of tired old baby boomers.

This was a very different Katy Perry from the one we’ve seen before, in magazines or on the Grammy show. She wasn’t prancing around the stage with fireworks blasting from her boobs. Quite the contrary, she wore some kind of billowing, flowered robe that looked like something that you could tuck a circus under. And then she just stood there – and knocked the fucking song out of the park.

So here, for the benefit of anybody who might have missed it, is Katy Perry’s performance of “Yesterday” from the “Grammy Salutes The Beatles” show that was broadcast on the 50th Anniversary of The Beatles first appearance on The Ed Sullivan Show on Feb 9, 1964. Do yourself a favor and listen to it on some real speakers….

More ‘Joy of Making Music’ Sierra Hull

Sierra Hull first showed up on my radar about three years ago, when a friend who worked for her management company invited me to a CD release concert at the Belcourt Theater.

Since then, I have had the pleasure and privilege of working with Sierra on more than several occasions. She was a featured performer on The 1861 Project – Volume 2: From the Famine to The Front (Spotify), lending her charming vocals and dazzling mandolin lines to The Song of The Mystic (Spotify), a song about Father Joseph Ryan, “the poet laureate of the Confederacy” and the namesake of one of Nashville’s most prominent parochial schools.

More recently, I had an opportunity to photograph Sierra as she warmed up to perform with Irene Kelley at Irene’s CD release party at the Station Inn.

Sierra Hull on state at the Station Inn

Sierra Hull on stage at the Station Inn

[tweetable alt=””]I’ve actually shot quite a few lovely photos of Sierra since she came on board with The 1861 Project, but this one has to be my favorite.[/tweetable] I could probably say more about it, but I think this is one of those instances when I’ll just let the picture speak its thousand words and leave it at that….

If that’s still not enough, have a listen to Sierra’s 2011 Rounder Records release, Daybreak:

We’re Back…

A note to the Weekly Digest Readers:

NYC

I have no idea who the woman in this photo is. She just happened to be in the window seat on the side of the plane that was flying over Manhattan…

You’re going to see a lot more posts in my weekly digest this week…

It’s mostly photos that I posted from the week that Ann and I just spent in New York. Well, starting in New York but mostly in Connecticut, a bit of New Jersey for my niece’s wedding, and then a couple of days pounding around Manhattan.

I’m still sort of digesting the trip… a couple of big takeaways are:

1) The prevalence of mobile devices. I know this is nothing new to observe, but when you are in a city of like 10 million people and every one of them has their eyes fixed on a tiny screen regardless of what else they’re doing, it becomes that much more obvious that something fundamental about the way we live in the world has changed.

2) On a related note: when did it become OK to conduct an entire conversation with another person without even bothering to remove the ear-buds in your ears? I mean, who does that? Well, a lot of people in New York do that. We had dinner in one restaurant where we had a good view of the patrons at the bar, and we literally watched one guy conduct and entire conversation with the woman seated beside him, wired dangling from his ears the entire time. Like, for almost an hour. Sorry I didn’t get a photo of THAT.

3) Contemporary, popular music played on sound systems in public places like trendy restaurants is just fucking ghastly. I guess it’s just de riguer these days, the establishments have a sound system installed, put it on some channel, and then ignore what’s being played, it’s just part of the background noise. But for the the patrons (OK, this patron), the sonic assault detracts from the experience of the joint. It makes me want to leave (especially if it’s this godawful nothing-but-beats hip-hop stuff that is so popular these days, and yes, I know saying that makes me a very old man of the “get off my lawn” stripe…).

FWIW, the issue is not unique to New York. It’s a problem in Nashville, or anywhere else I’ve been lately. It just seems worse when you’re already well out of your comfort zone and trying desperately to find some – well, comfort in an otherwise hostile urban environment.

The only reading of consequence you will find in today’s Digest is the first post – which appears at the bottom of the Digest listings – which I posted last week. It’s the second installment of some reminiscences about my first year in Nashville, the year when I started “Songs.com” and a bit of what it it was like to explain the Internet to people who had often never heard of it. Hard to imagine a time like that now…

Other than that it’s just photos from the trip, and not even the good ones – just the ones I thought to send from my camera to my phone so that I could Instagram them. I’ll have to see what else I got when I get to the files…