©2015 [email protected] aka @driver49
©2015 [email protected] aka @driver49
I’m getting ready to go on a two-week road trip – business, family, etc. – back to my old NJ/NY/CT stomping grounds. Before I depart, I’ve been thinking about: what do I really need...
Read MoreAs I suspect many readers have gathered by now, I dipped a toe back into “the socials” last week. Most notably, I reactivated the Facebook account that I deactivated for a variety of...
Read MoreEverybody fire up yer radios! Wednesday night – well, actually, Thursday morning – I will be a guest on the Coast to Coast AM radio show with host George Noory. Coast to Coast “…airs on...
Read MoreSome of you know that for the past couple of months I have been ‘laser focused’ (I actually hate that expression, but it does seem to express the ADHD way I go at some things) on the...
Read MoreAs Philo-The-Third told me, his father – Philo T. Farnsworth The Second – had ‘two major cases in his life. The first was electronic video. You wouldn’t be looking at this if he...
Read MoreSo that I could just put it all in one place… Little Green Boat – the poem I mentioned I wrote that describes how everybody in the neighborhood knew what was going on except us kids...
Read MoreArthur, Harvey and Paul ca. 1953. The kid on the right is the only one still living. Not shown: mother Ellen, sister Dorothy aka Dotsie _________________________________ September 30, 1958 Ellen has...
Read MoreI had the good fortune to photograph Rachel Ries when she opened for Melissa Greener at Douglas Corner in Nashville last month:
Originally from South Dakota, Rachel has a very interesting background:
Daughter of Mennonite missionaries, Rachel Ries hails from the inspiring, vast expanses of South Dakota, by way of Zaire. Her formative years were filled with Congolese spirituals, Mennonite hymns, Suzuki violin and The Carpenters. Currently splitting her time between rural Vermont and New York City, Rachel crafts sly and compassionate songs for the crooked hearted. With an electric guitar, clear voice and steady hand, she pulls the listener into her world of city grit, country dirt, and her open-eyed search for redemption and reason. Her songs are fine-tuned delicacy with a snarl and disarming candor. Proudly carrying the torch of her love for the domestic arts, Rachel’s homemade preserves and hand-stitched notebooks can often be found at shows, nestled amid the 180 gram vinyl, cds and t-shirts.
She also has a cool new album, Ghost of A Gardner.
And good as her music is, I think this album cover art may be my favorite so far this year: I
I’ve known Melissa Greener since she first arrived in Nashville (from native Detroit) about five years ago. We have traveled in familiar circles all that time, but I think I have actually heard/seen her perform just once, when she sat in for a few songs amid somebody else’s set… somewhere. The details are fuzzy, all I remember is she played a “fan fret” acoustic guitar – an instrumental choice indicative of a woman of some distinction, even if I can’t remember now what exactly she played on that exotic instrument.
Well I sure remember her material now.
Last Friday, Melissa performed a set at the Douglas Corner Cafe in Nashville – which she mentioned from the stage was her first full show here in the entire time she’s called Nashville home.
It was worth the wait. Boy, was it worth the wait.
For this show, Melissa assembled a full band (sorry, I don’t know the name of all the players – will update when that info comes across my transom). The stage was filled with keyboard, bass, drums, lead guitar and two harmony vocalists. And despite all that personnel, this was the blessed (i.e. rare) show where the quantity of sound did not drown out the lyric content.
Melissa Greener proved to be an incredibly compelling performer. Start with deft, intricate guitar figures played on both acoustic and electric guitars (no fan frets); add rich, thoughtful lyric imagery (that you could actually hear!) sung with a solid, soaring alto and joined byroof-raising harmonies from Kira Small and Vicki Carrico, and you’ve got the makings of one of the most outstanding shows I’ve seen in Nashville in quite a while.
The house was full, no doubt a testament to the many friends that Melissa has made over the five years she’s been among us.
But what was really impressive was the response when the show was over: these jaded Nashville audiences rarely rise at the end of a club show by a local; but this night, as Melissa Greener wrapped up her final tune, the audience was on its feet.
Or as one observer from the audience commented after the show, “we knew that she was good… but we didn’t know that she was that good!”
Melissa pours her heart and soul into every note and word. Hopefully these photos catch some of that spirit.
Listen to the opening track from Melissa’s 2013 CD “Transistor Corazon” while the slide show plays. When it’s over, click the Spotify link below to listen to the entire album. And when it’s over, don’t be surprised if you feeling like playing it again (as I am doing as I finish this post…)