Category - commentary

Acerbic observations on the state of the world, art, politics, and culture.

How To Shooting Star

As I mentioned yesterday on Facebook, I’ve been chasing the Perseid Meteor Shower since 1973.

That was the summer I drove across the country, after getting a diploma (I would use the term ‘graduated,’ but only loosely…) from Antioch College (I’d attended made-up classes at a branch campus in Columbia, MD. Remember, 1973 was still the 60s…).

I’d thrown a few things into the back of my 1966 VW Squareback (affectionately named “Duck” and sporting a Daffy Duck decal on the front fenders) and headed off to seek my fortune in Hollywood. I’d done some “guerrilla video” in college and figured it was time to see how real TeeVee was made, so off I went, taking three weeks to get from the east coast to the west.

Along the way I stopped at the Vagabond Ranch outside of Granby, Colorado, at the edge of the Rocky Mountain National Park. I’d spent two summers there when I was 14 and 15 years old. Those might have been the best summers of my life. Vagabond wasn’t a “dude” ranch, but it was run as a Western-themed summer camp by a couple from Connecticut, Charlie and Ronnie Pavek.

Not very many people nowadays remember “Spin & Marty” – a short movie series that Walt Disney ran as part of “The Mickey Mouse Club” in the 50s; It was about a city kid (Marty) who got sent to a western ranch where he got to ride horses and friend up with a cowboy kid named “Spin.” That’s about as much as I remember about the series, but it was always my frame of reference; I still tell people that I spent two summers in the mountains of Colorado, “acting out my ‘Spin & Marty’ fantasies.

For the four summers before Vagabond, my parents sent me for two months at a time to a ‘sleep over’ camp in Maine called Kennebec – a sports driven, competitive environment inhabited mostly by affluent Jewish kids from the Northeast. That’s where I spent the summer of 1962 being tormented by an 11-year-old monster named Jeffrey Katzenberg (the name might be familiar?). But that’s a story for another time.

I never exactly excelled at sports; I could hold my own at tennis and I was an OK sailor, but the first time another kid threw a hardball at my head (he wasn’t aiming at me, he was just 11 years old and it’s not like he had any control…) I knew I was never gonna be a baseball player.

Basically, sports suck when you suck at sports.

Vagabond was the exact opposite of Kennebec. There were almost NO sports. Instead, I spent the summers mostly riding horses in the mountains. Unlike Camp Kennebec, I have nothing but fond memories of Vagabond Ranch. I even recall with some distant fondness the night I spent shivering under a tarp in the rain at 11,000 feet; and my favorite horse, a red mare named “Strawberry.” She could be tough to catch in the coral, but once saddled Strawberry was a soft and responsive ride.

So that summer of 1973, I made my way across the country, alone in my little VW – Niagara Falls, the The Great Northern Plains, The Badlands, The Black Hills, The Crazy Horse Monument – I stopped at the Vagabond Ranch and said hello to the Pavek’s.

I must have gotten there the night of August 11 –because that night all the campers were taken out to a meadow to lie on their sleeping bags and watch the Perseid Meteor Shower. I’d never heard of the Perseids before that. But once I saw them – probably 2 or 3 shooting stars every minute – I was hooked. I’ve tried to see the Perseids almost every year since.

The flier my then-future-ex-wife Georja Skinner made for the Perseids cruise we ran in August of 1982.

The flyer my then-future-ex-wife Georja Skinner made for the Perseids cruise we ran in August of 1982.

Probably the best I ever saw the Perseids was from a few miles off shore from Lahaina, Maui, in the summers of between 1981 and 1992.

From Lahaina, you start out 70-some nautical miles from Honolulu, the nearest big city; once you get a few miles offshore there’s little impact from the lights of Maui. The sky is ink black and there are stars by the bazillions. The years we went out on the boat, we probably did see 60-100 shooting stars every hour (but not every minute!)

In the summer of 1999, I went back to Vagabond Ranch with my then-future-and-still-second-wife Ann. The Ranch was no longer owned by the Pavek’s (who were no longer living) but was owned the family of Richard Kelly, the owners of – how’s this for irony?– a large hotel chain in Hawaii. Since the Kellys only visited the Ranch occasionally, the caretakers of the property, Mark and Jane Bujanovich, welcomed us to stay a few nights and we watched the Perseids with them. I’d forgotten how cold even a mid-August night can get at 8,000 feet…

It has been harder to see the Perseids since I’ve been living in Nashville, but almost every year when there’s been a waning or new moon, we’ve tried. Last year we went out to Bell’s Bend. This year I went out to the Natchez Trace and set up my camera with my photo-buddy Ken Gray.

*

So this is how you shoot a shooting star: you drive as far away from the city as possible. The Natchez Trace Parkway outside of Franklin, TN is only one order of magnitude-of-light-polution less than Nashville and its environs, but it’s a decent night sky.

You start at about 11 PM. You set your camera on a tripod with a remote control shutter release. You aim the camera at a dark corner of the sky with the widest-angle lens in your bag (in my case a 14mm equivalent) to cover as much of the sky as possible, and set the shutter to open for 15-30 seconds with the aperture wide open at a fairly high ISO, like 1600. The 15-30 seconds is long enough to get an exposure from the star field, and you hope that the high-ISO is enough to capture the fleeting light of a hot grain of cosmic dust as it streaks across the frame.

After that, it’s entirely random. So you open a folding camp chair, sit down, and just start releasing the shutter, over and over again, until something streaks across the sky while the shutter is open,

And then you apply the one tool that you will not find in any camera bag: abundant patience. A little luck helps, too.

In this case, I shot about 100 frames, between roughly 11PM and 2 AM.

This was yet another year when the coming of the Perseids was touted as going to be the most dazzling display in memory. That’s what they say every year. But every year… enh. Not so much.

I exposed frame after frame after frame, but for more than two hours, nothing happened in the frame. Once exposed, the camera takes as long to save the file as the shutter was open – 15 or 30 seconds. Several times, that’s when something blazed across the frame. But for as long as I was out there, it was less like 2 or 3 every minute and more like 1 every two or three minutes.

As 2:AM approached… I finally got one. After that, it’s like fishing. You get one… you want another. It did seem like the activity was picking up a little, an so I kept releasing the shutter. Slightly after 2AM, I got one more, a little better than the first. That’s the one at the top of the post.

And then I drove home.

So that’s how you shoot a shooting star. You go out in the wee hours of the morning. And you wait. And then you wait some more. And when you’re finally ready to give up… you get one.

Forty-plus years I’ve been chasing the Perseids. That’s the first I ever got a picture of one.

But regardless of the actual number, every Perseid Meteor or see is filled with the memories of a lifetime of shooting stars.

Don’t Try This At Home

This is a story about how being a jerk can actually pay off.

I went to the Container Store in the Green Hills Mall yesterday because it is Nashville’s only retail source for Moleskine notebooks. While I generally avoid having/doing anything quite so trendy, I had decided Moleskines are as good a bound journal as any, so I went to get one.

I walked into the Container Store and my first impulse was to find an employee and ask “where are the Molekines?”

Good luck with that…

There was not an employee anywhere to be found in the vicinity of the entrance, or on the whole upper floor. I could tell just by looking around the first floor (which is relatively small area compared to the rest of the store which is the floor below) that the Moleskine display was not going to be on that floor, so I took the escalator down to the main floor.

The escalator opens to a large open area in the center of the main floor. There are cashier counters in the center of area. But, again, there was not a sole to be found – except for some other customers who seemed equally baffled at their inability to find any personnel to help them.

I felt like I’d stepped into some television show where only the employees had been swept up in the Rapture. I figured the next scene would be customers helping themselves and just walking out of the store…

Just in case I was wrong about that, and being the incorrigibly obnoxious person that I often default to, I just shouted, quite loudly and to nobody in particular,

“DOES ANYBODY WORK HERE?!?!”

And of course, at just that instant a young man appeared from amid the the aisles and stacks in a regulation black t-shirt – rather shocked that anybody would actually conduct themselves that way, and equally embarrassed that a customer had found it so difficult to get help that he seemingly had no recourse but to ask for it at the top of his lungs.

Quickly and efficiently, the young man asked what I needed and directed to the Moleskine display. After a few minutes of deliberation I decided which notebook I was going to buy. The task was made slightly more difficult than it needed to be because all of the products on display were hermetically sealed in plastic wrap, making it impossible to see what the pages inside actually looked like. But I managed to figure it out.

Ah, retail… This is why I buy almost everything except groceries from Amazon.

I made my selection and rode the escalator back to the upper floor to the only cashier that was open and waited my turn in line (another one of my least favorite features of bricks-and-mortar shopping). The couple I’d seen downstairs that was as perplexed for help as I was in front of me. They paid for their stuff – a variety of big plastic containers – and then it was my turn.

I put the Moleskine down on the counter and reached for my wallet. I had my credit card out and was all set to pay my $20 for the notebook…

…when the young man who had magically appeared downstairs when I started yelling like a crazy person magically appeared again, behind the counter. He waved off the cashier, then picked the Moleskine off the counter and handed it to me and said “we’re good…” – in other words, giving me the notebook and not charging me for it.

I certainly didn’t see that coming.

I was sufficiently surprised that I did not fully register what else he said. He might have said “I hope you have a better experience the next time you’re in the store.”

Or he might have said “Please don’t ever come back…”

In some kind of bemused shock, I ambled out of the Container Store with a free Moleskine notebook, wondering how exactly being such a jerk had produced such a seemingly worthwhile result.

And figuring that I would tell the story and end it with the hashtag

#Don’tEncourageMe

Photo Challenge #4: John Jarvis

So much for seven photos in seven days…

I’m really not sure how much to say about this one.

I said when I started posting this series last week that I was going to dig around for some files that had not previously seen the light of day. This is one of those.

About two years ago I got a call to photograph a recording session for one of Nashville’s A-list players, who was making an album with some of the world’s also top, A-List players – most of whom I was not entirely familiar with though I probably should have been.

This is probably my favorite shot from the session… somewhere in there, the renown keyboard player John Jarvis is adding a melody to a track.

I got a lot of great photos of the sessions, but something went haywire. I turned in the photos… and never heard from the client again.

Probably the less said about that… the better.

Photo Challenge #3
Put Down The Fucking Phone!

Continuing with the Facebook Photo Challenge…

I’m really not sure what to say about this one. It was taken several years ago at the Tennessee State Fair in Nashville.

The attraction is is the Super Slide (or whatever it’s called). You get a pad of canvas and slide down about 100 feet of undulating fiberglass. Wheeee…. what fun!

I’m just guessing that this is a brother and sister duo. Judging from the look on the little boy’s face, the ride was a blast. But not, apparently enough fun for his sister to put her phone down long and actually enjoy the experience.

Such is the world we live in today.

We live in an invisible ocean of information. We can find out anything in an instant.

And still we wind up with somebody like Trump…

Now excuse me while I go see if I’ve got any fresh notifications on Facebook…

 

Civilization? Ha!

We live in the most technologically advanced culture in the history of human civilization – Google, Gigabits, WiFi everywhere, cars that go 200mph ad planes that fly around the world – but this is what we have to do to keep a table from wobbling.

 

#TMITM #6 : Dueling Elephants Foretell
The Demise of the Two-Party System

#TMITM, for those of you who haven’t caught on yet, is the acronym for “The Medium Is The Message.”

One of my primary theses over the past several years has been that the advent of the Internet foretells the demise of the two-party duopoly.

For starters, remember: there is nothing constitutionally sacred about a two-party system. It is just the effluent of political convenience that has evolved and persisted since the emergence of the Federalist (for the Constitution) and the Anti-Federalists (for the Articles of Confederation) in the 1780s.

For different reasons, both print and electronic broadcasting reinforced the dominance of two political parties for 200+ years. But the Internet reverses all the primary forces of nature imposed by those media. It is not your father’s media environment any more. Nor your grandfather’s. Nor his grandfather’s…

Print and broadcasting are organized around single points-of-origin and multiple points-of-reception; for every transmitter there are countless receivers. The Internet introduces parity between origin and reception. In the digital era every receiver is also a transmitter. This parity gives ultimately an engenders an infinite number channels through which previously “fringe” perspectives can gain considerable traction.

We have seen countless manifestations of this trend over the past 15 years. We could argue that it first appeared with Howard Dean’s Internet-driven campaign in 2004 and rose to a level of dominance with Obama’s digital organization in 2008. Here in 2016, Bernie Sanders’ $27-a-pop campaign came within a few hundred pledged delegates of toppling the whole house of cards.

I contend that what we are now witnessing is the inevitable fracturing of political discourse that is empowered by an infinite number of communication channels. The Medium is The Message.

It comes as no surprise then to see Thomas Friedman – a major proponent of the mainstream media – advocating the formation of a new political party to counter the unhinged lunacy of today’s Republican Party:

I know so many thoughtful conservatives who know it matters. One of them has got to start the N.R.P. — New Republican Party — a center-right party liberated from all the Trump birthers, the Sarah Palins, the Grover Norquists, the Sean Hannitys, the Rush Limbaughs, the gun lobby, the oil lobby and every other narrow-interest group, a party that redefines a principled conservatism. Raise your money for it on the internet. If Bernie Sanders can, you can.

Notice how the decentralized, distributed power of the Internet lies at the very heart of that argument.

In the splintering of the Republican Party, I suspect we will unleash the even greater likelihood for a multi-party system of governance by fluid coalitions – all made possible by the myriad and largely unexplored functions of digital communications.

Be careful what you wish for, Tom Friedman.

 

Art Show Opening: “Signs Of The Times”

File this under “Yesterday I couldn’t spell ‘artist’ and today I are one…”

Chromatics – Nashville’s high-end photo-print shop – was the first place that ever hung one of my photos in a gallery – back in, I dunno, 2008 or there abouts. Fittingly, it was a print of a ruined abbey in Ireland. I’ve had my work included in several shows at Chromatics in the years since.

Another show will be opening Thursday, May 26. This one is called “Signs of the Times.” The call for entries simply asked “What have you captured or created that portrays the current day and age in which we live?

I submitted three images, and, lo and behold all three were accepted and will be included in the show.

The opening reception will be tomorrow, Thursday May 26 at Chromatics, at 625 Fogg Street in Nashville. C’mon by – the serve great pupus.

The exhibit will be open until September 1, 2016.

Here are the three images and the statements that will accompany them:

OLYMPUS DIGITAL CAMERA

“Endangered Species”
Over the past few years, the area of Nashville known as “The Gulch” has been one of the city’s fastest growing and most gentrified urban neighborhoods. Condo and office towers rise above upscale shops, restaurants and bars as a whole new generation of residents and workers flood into the area. Amid the crush of development, one tiny, one-story stone building remains as a testament to a bygone era, standing in stalwart resistance to the commonly expressed sentiment that “when they come for the Station Inn… Nashville is over.”
– – – – – – –

OLYMPUS DIGITAL CAMERA

“Cleaning Crew”
At night, Nashville’s “Lower Broad” hosts a sea of humanity that swarms in and out of its many honky-tonks, restaurants and bars. The strip hosts bachelor and bachelorette parties all year round and some visitors patronize the many “Pedal Taverns” that let revelers propel their own guided tour while imbibing an adult beverage or three. By dawn, the crowds have dissipated, the cleaning crews have taken over and, and one worker enjoys a joke at the expense of the few remaining passers-by.
– – – – – – –
SOTT-11x14-PA080163-Edit
“Skyward”
Construction cranes are a familiar sight along any urban skyline these days. It’s entirely common to see new high-rises going up against the existing towers of glass and steel. What you don’t see much of in America, though, are construction cranes framed against medieval churches – in this case, Glasgow Cathedral in Scotland. Built beginning in the 12th century, this imposing early-gothic edifice stands as a monument to construction techniques based almost entirely on human sinew, hammers and chisels. As new construction rises nearby, aided by every modern convenience known to 21st century builders, only future generations will see which methods and materials will ultimately endure the ravages of time.

Addicted to #TheStupid

The photo atop this post is not offered as one of my Great Works of Art.

It’s just a moment that struck me while Ann and I were wandering around downtown Portland, Oregon on Monday.

The “pose” you see here is hardly unique to Portland, so this is certainly no commentary on the common preoccupation on staring at tiny screens. You see that in Portland, you see that in Nashville, you see it everywhere: people staring at tiny screens.

But in this particular moment, I was struck by this thought: We live now in an era when we have all of the recorded knowledge of mankind literally at our eyeballs and finger tips. There are no unanswered questions. We live in an invisible digital ocean of information, and we spend a good deal of our lives retrieving that information.

So how come we wind up with somebody like Donald Trump within striking distance of the presidency?

Enquiring minds want to know. I wonder if I can Google that…

Have You Ever Felt Like This?

I was just text-messaging with a friend about the music business.

He said “What the hell do I know?”

I replied, “What the hell do any of us know?”

I wish I could remember where I first-ever saw this cartoon. I know nothing more about than it was drawn by a cartoonist named Ron Cobb.

But I think of it often, like when ever I think of a foreign landscape (like the “new” digital music business) and how we often try to get “plugged in” with obsolete ideas and technologies. The metaphor seems apt.

If that doesn’t make the point, then there is always this reliable chestnut that is often attributed to Hunter S. Thompson:

“The music business is a cruel and shallow money trench, a long plastic hallway where thieves and pimps run free, and good men die like dogs. There’s also a negative side.”

Of course, that could probably be said about a lot of businesses…

The Single Best Line in All of “Star Wars”?

OK, that assertion may be overstating the case. Maybe the best line was “These are not the droids you’re looking for.” Or maybe it’s “Don’t get cocky, kid!” At any rate, “Do or do not; there is no ‘try'” is definitely one of them.

But I just saw that a line that Yoda speaks in “Episode V: The Empire Strikes Back” on the back of a sweatshirt at my neighborhood Starbucks, and couldn’t resist the temptation to get a picture of it. iPhone to the rescue!

Look closely and you’ll notice the quote is attributed to not just Yoda, but to “Yoda/Chukki.” Chukki is the woman wearing the sweatshirt. Turns out she’s a personal trainer and “Do or do not…” is a line that she has been using in her training since long before one of her clients told her that the line is in “Empire.” When she told me that all I could say was “well, great minds do think alike…”

Here’s the original scene from Star Wars: